Showing posts with label Anna Xambó. Show all posts
Showing posts with label Anna Xambó. Show all posts

Anna Xambó Sedó on LOLTRAX001 album release

 MTI²'s Anna Xambó Sedó has participated in the compilation LOLTRAX001 with the track mnnw (extract). This compilation is curated by Joe Beedles and Guillaume Dujat (LOL Editions) with 14 tracks by artists including WEȽ∝KER, 1000PA, Michael-Jon Mizra, Chloë Sobek, Robin Fox, Dan Valentine, SONAMB, busf, Kindohm, Ellen Phan, pantea, Lauren Sarah Hayes and Iettatore. 

LOLTRAX001 is an experimental computer music compilation. Based in Manchester UK, LOL HQ have reached out to an international cohort of artists for the label's first release under the ‘TRAX’ format. Within this 56 minute celebration of rhythm, tone and noise, experience the last croak of a circuit bent keyboard, DSP dexterity, luscious pads and phased-out synthesis. Blast yourself with the full hour-long journey or take it in measures.

Proudly presenting: WEȽ∝KER’s GM dissection, 1000PA’s delicately pressurised arrangements, Michael-Jon Mizra’s synthetic scuttling, Chloë Sobek’s post-anthropocentric noise, Robin Fox’s vectorised laserscapes, Anna Xambó’s high altitude human-computer interactions, Dan Valentine's luxurious additive dub, SONAMB’s shiny mechanoids, busf’s intermittent piston blasts, Kindohm’s signature style coated in a newly saturated varnish, Ellen Phan’s therapeutic wall of sound, pantea’s filtered sonic taxidermy, Lauren Sarah Hayes’ unapologetic ML improvisations, capped off with Iettatore’s face-melting stereo spread.

There is a limited edition cassette for £12. All proceeds will be donated to MIND (UK based mental health charity).

The album can be found at Bandcamp: https://loleditions.bandcamp.com/album/loltrax001



I2MT Inaugural Concert - 30 November 2023

 

Experimental Music Inaugural Concert by I2MT (Interactive & Intelligent Music Technologies Research Group) and special guests featuring music works by Juan Martinez Avila, Steve Benford, Craig Vear, John Richards (AKA Dirty Electronics) and special guest Anna Xambó.

I2MT is the start of a new cross-faculty research cluster that investigates Interactive & Intelligent Music Technologies. Our work focuses on developing technical innovation (new software & hardware interfaces and instruments), pushing boundaries of practice (such as robotics, AI, deep learning), understanding human computer & AI interactions in music, with the ultimate goal of enhancing human creativity.

Date and time: Thu, 30 Nov 2023 17:30 - 18:30 GMT
Location: University of Nottingham - Jubilee Campus
More info: https://www.eventbrite.co.uk/e/i2mt-inaugural-concert-tickets-749901474497

Anna Xambó keynote @ Audio Developer Conference 2023

 

 

MTI's Anna Xambó Sedó will be giving a keynote on Tuesday, November 14, at the Audio Developer Conference 2023, with a talk titled From NIME to NISE: Rethinking the design and evaluation of musical interfaces:

https://adc23.sched.com/event/1PudY/keynote-from-nime-to-nise-rethinking-the-design-and-evaluation-of-musical-interfaces

On Wednesday, November 15, Josh Reiss will be giving a keynote entitled Commercialisation of Audio Technology:

https://adc23.sched.com/event/1Pueo/keynote-commercialisation-of-audio-technology

The conference runs from November 13th to 15th - the full programme is available here:

https://adc23.sched.com

To find out more about ADC23, visit:

https://audio.dev/adc23/

There are only a handful of tickets still available for the in-person event in London, although tickets for the online experience via the Gather Virtual Venue platform are still on sale. To find out more and register a place, take a look at the link below.

https://audio.dev

25 Oct 2023 - CHIME Seminar with Chris Nash and Anna Xambó


 
The tenth free online CHIME Music and HCI Seminar will have Chris Nash and Anna Xambó. This will be on Wednesday 25 October (at 4pm UK time).
Chris Nash will be discussing what happens beyond NIME, when projects move beyond academia, and exploring this through the lens of the Manhattan project: http://nash.audio/manhattan
Anna Xambó will be introducing the AHRC project Sensing the Forest, on raising awareness and understanding of forest environmental data and how they relate to climate change: https://sensingtheforest.github.io
You can sign up via Eventbrite here: https://www.eventbrite.co.uk/e/739356454057

Yichen Wang’s visit on Friday 8th September


 On behalf of the Music, Technology, and Innovation – Institute for Sonic Creativity (MTI2), Robert Chafer and Anna Xambó had the pleasure of hosting Yichen Wang, an Australian-based PhD researcher supervised by Dr Charles Martin. Wang is from a computer science background, yet her work has applications for the arts and music by creating virtual instruments for use in XR technology. Thanks to Harry Pentony for the technical support, Tim Hall for a tour of the studios, James Andean for the photos, and the audience who came and engaged with Wang’s presentation and demo.

You can find out more about Wang’s work here: https://yichenwangs.github.io

Postdoc in Sound and Music Computing (23 months, 0.5FTE)


We are hiring! A part-time (50% FTE), 23-month Postdoctoral Research Fellow position is available to work at the forefront of Sound and Music Computing as part of the AHRC-funded project “Sensing the Forest - Let the Forest Speak using the Internet of Things, Acoustic Ecology and Creative AI” at De Montfort University (DMU) in Leicester, UK. The project is led by Anna Xambó Sedó (PI, DMU), Peter Batchelor (Co-I, DMU), Matthew Wilkinson (Co-I, Forest Research), and Georgios Xenakis (Co-I, Forest Research).

The proposed project aims to raise awareness among forest visitors/aficionados, artists, scientists, and the general public about the connection between forests and climate change. Community building will centre on looking at a better understanding of forest behaviour using complex scientific data in creative and artistic ways.

  • Application link: https://dmuhub.dmu.ac.uk
  • Application deadline: 13 August 2023
  • Interviews: 24-25 August 2023
  • Job start: 1 October 2023

For informal enquiries about the position, please contact Dr Anna Xambó Sedó, PI. E-mail: anna dot xambo at dmu dot ac dot uk

 

+RAIN Film Fest 14 June 2023

 

The +RAIN Film Fest's international call for films using AI models is focused on films that explore the narrative capabilities of this technology in their creation process. The +RAIN Film Fest invites filmmakers to present and discuss their work at public screenings to talk together about film narratives in this incipient moment of experimentation with generative AI, and how this new narratives define the audiovisual language of the future. An international jury will award the most innovative films to be shown at Sónar+D.

As part of the program, there will be a LIVE event that offers a unique musical and audiovisual experience composed of proposals that integrate artificial intelligence in their creative processes. The UPF Poblenou campus is transformed into a space where visitors can enjoy musical and audiovisual creations resulting from research and experimentation with AI. The event explores the aesthetic and creative possibilities of AI models and live coding.

 20:00 - 22:45 LIVE Sessions and +RAIN Film Festival award ceremony:

More info about the festival can be found here: https://www.upf.edu/web/rainfilmfest/rain#live

Students' installations at DMU May-June 2023

 During the past three weeks (17 May, 24 May, 25 May, 1 June) we have enjoyed several students' installations from the module MATT3002 Installation Art / Community Arts (final undergraduate year), supervised by Dr Peter Batchelor and Dr Anna Xambó Sedó. Here is an outline of the work that has been exhibited! Thanks to all the contributors and visitors!

"A Walk Through Rubble" by Leon Riley

 

"This installation is a multi-channel London Blitz soundscape including firsthand early memories from my grandfather who was present in London until his evacuation.

With samples from mainly the BBC Sound Service Archive, the piece follows footsteps through sonic scenes that would have occurred on London streets between 1940-1941 in addition to images sourced from the Imperial War Museum.

"Artificial Creativity" by Joshua Bentley


This installation is a short audio-visual piece based on computing and Artificial Intelligence, with a focus on phones.

The music throughout the piece is based on musical parameters set by ChatGPT, such as the key, tempo, and timbre of the overall track.

Additionally, there are photographs created by the AI software DALL-E and poems created by ChatGPT. There is also a QR code to anonymously provide feedback on the installation, as well as your thoughts on Artificial Intelligence.

"Nostalgia: dating course in 90's" by Jinil Park


This is part of the Installation/Community arts project.

This project is for a specific community, and in my case, I decided to do this project for everyone who misses the past. The original idea of the project was inspired by an exhibition titled 'I Grew Up 80s Exhibition' at the Leicester Museum. After watching the video of the exhibition by chance, I suddenly wondered, "How many people will miss the past?" and conducted an online survey on 29 people. Surprisingly, more than half of the 17 people (58.6%) found that they missed the past. There were people who missed youth, but the majority missed the feeling of the time itself. People with memories of those times said they went bowling, to the theatre, went on a bike trip, and played video games in arcades. And I considered, those who miss the past can relive those times if you personally experience this and document it in a film! I then put it into practise, and the result is this current exhibition.

"Sonic Reflections" by Adam Roberts

 

Sonic Reflections is an immersive sound installation that delves into the everyday sonic landscapes of urban and rural communities, giving voice to the problems of noise pollution and inviting contemplation on listening attitudes. Drawing inspiration from the renowned World Soundscape Project and the visionary R. Murray Schafer, an artist who devoted a lifetime to raising awareness of the repercussions of noise pollution. The project aims to preserve the delicate sounds of birds, water, as well as the overbearing sounds of urban environments.

Through a combination of recorded soundscapes, sonic manipulations, and visual digital art elements, Sonic Reflections offers a thought-provoking journey into the impact of noise pollution on our environment and ourselves. By engaging with this installation, viewers are prompted to reassess their own auditory experiences and consider the importance of actively listening to the world around them.

‘No more would we be able to hear the delicate sound of birds, of water, the breathing of nature or sounds of our own voices.’ (R. Murray Schafer)

"A message to your younger self" by Yasmina Perez


This Installation will take you on a sweet and intimate journey, reminiscing and healing your younger self with all the knowledge of you now, why not take some time to send a message back in time.

"Deadly Sins" by Cameron Flynn


This installation is an examination of our world expressed and conceived through the lens of the Seven Deadly Sins of Christianity.

"Rain Beacon" by Chris Hartshorn


A sound sculpture using battery-powered motors to mimic the sound of rain. The first of a series of such sculptures, designed to be deployed spatially to produce an immersive, meditative listening environment.

"Hedgerow" by Jeeves Kanth



This work seeks to transplant natural sounds into urban green spaces, allowing a brief moment to reflect on our aural environment and exercise mindfulness. The composition playing is made from field recordings taken around Leicester, transitioning from: bird-song, wind through trees and water - to the sounds of human activities and music. With life so full of noise, it's easy to overlook the sounds we need.

The module has also welcomed online exhibitions:

* "Relaxing music from nature" by Danhyung Yang

* "Sounds of London" by Dominic Demetriou John




LivecoderA Community Report

 

LivecoderA Community Report
by Alicia Champlin, Joana Chicau, Miki Corfiel, Shelly Knotts, Mynah Marie, Iris Saladino, and Anna Xambó

LivecoderA Community Report will be presented at the International Conference on Live Coding (ICLC) in Utrecht, Netherlands on Friday, April 21st, 2023 at 11:15 am (CEST (UTC+2)).


Abstract
In March of 2022, LivecoderA, a new live coding community came into being, coalescing around the need to recognize a specific cohort of live coders who identify as women. The group is inherently feminist and intersectional, and its creation was motivated by many desires. Among them: solidarity and visibility, to be counted as sisters, and to reflect to each other the strength of our numbers. A manifesto and several events have since been produced, and the community is active online while also making more in-person connections whenever possible through the coordination of gigs, residencies and meetups. At the time of publishing, the community connects through Telegram and Discord, with channels consisting of 48 and 27 members respectively.


Event on the conference website: https://iclc.toplap.org/2023/catalogue/paper/livecodera-community-report.html  
Conference Livestream: https://iclc.toplap.org/2023/index.html
Publication: https://zenodo.org/record/7845610
LivecoderA website: https://livecodera.glitch.me

Introduction to Making Digital Music Instruments - 3 March 2023


 

An interactive and hands-on two-part workshop to explore how digital musical instruments can be used to surprise and excite audiences. The event, led by Dr Juan Martinez Avila, will have a guest talk by Dr Anna Xambó Sedó about New Interfaces for Musical Expression (NIMEs) in workshop 1. Workshop 2 is scheduled for 10 March 2023.

Date and time: 3 March 2023, 11 am - 5 pm 

Location: University of Nottingham

More info about the event: https://www.eventbrite.co.uk/e/introduction-to-making-digital-music-instruments-2-x-6-hour-workshops-tickets-453842243367 

detuning a tuning: New Album Release by Anna Xambó


We are pleased to announce the new album release detuning a tuning by Anna Xambó on the Carpal Tunnel netlabel.

Here is the press release of the album:

You wake up in the middle of the night. In your dream, you lived along with other creatures inside a huge piano. The piano was being tuned and detuned at the same time. Strings snapped, and large pieces were breaking off, making a range of screeching, banging and scratching noises, with the occasional note. There were some voices outside, and you worried about finding a new place to live. You remember playing the piano as a kid, and wonder how it would be to take it again, then go back to sleep. detuning a tuning by Anna Xambó was released on 11 February 2023 by Carpal Tunnel.

Find out further information and download the album from:

Performing Critical AI - 27 and 29 November 2022

 

Performing Critical AI I: feedback, noise, corpus, code

Live coding algorithms, ensemble improvisation, biologically-inspired feedback systems, corpus hacking.

Sunday 27th November, 2pm **matinee**
Cafe Oto, 18-22 Ashwin St, London E8 3DL, UK
Event info: https://www.cafeoto.co.uk/events/peforming-critical-ai-i/

Attached to the European Research Council-funded project Music and AI: Building Critical Interdisciplinary Studies led by Georgina Born, this is the first of two concerts showcasing artist-researchers experimenting with AI and complex systems models.

Artists:

  • Feedback Cell (Chris Kiefer and Alice Eldridge) featuring Ollie Bown
  • Anna Xambó
  • P.A. Tremblay and Owen Green


The performances will be followed by open Q & A and discussion with the artists about how and why they are using AI/machine learning.

Performing Critical AI II: body, space, action, agency

Prepared piano, handmade percussion, new compositions, and electronic improvisations situating AI with the listener in a unique 3D sound environment. Including new works by Aaron Einbond and Artemi-Maria Gioti. 

Tuesday 29th November, 8pm
Iklectik, 'Old Paradise Yard ' 20 Carlisle Ln, Royal Street corner, Archbishop's park, Lambeth, London SE1 7LG, UK
Event info: https://iklectikartlab.com/performing-critical-ai-ii-body-space-action-agency/

This is the second of the two concerts linked to the European Research Council-funded project Music and AI: Building Critical Interdisciplinary Studies.

Artists:

  • Xenia Pestova
  • Maxime Echardour
  • Christopher Haworth
  • Sound-Image Research Group, University of Greenwich

Symposium Technoscientific Practices of Music - Helsinki 11 November 2022


 The symposium Technoscientific Practices of Music; New Technologies, Instruments and Agents is taking place on 11th November 2022 and will discuss the new music technologies as a process / practice / relationship that involves social and technoscientific transformations in view of music, science, philosophy, community of people, non-humans and life-world as a whole. It is not anymore a myth or urban legend, advanced AI technologies do challenge current practices of creative practitioners and offer a new perspective that redefines the relation between humans and AI. What does this say about the nature of AI and its ability to be part of the mutual incorporation? What “social connections” these AI creative agents build up in music practices, which leads to emerging aesthetics and meanings to appear that would not have been possible otherwise.

The invited speakers are:

Adnan Marquez Borbon (Autonomous University of Baja California, Mexico)
Georgina Born (University College London)
Rebecca Fiebrink (University of the Arts London)
Owen Green (University of Huddersfield)
Michael Gurevich (University of Michigan)
Laurens van der Heijden (University of Twente)
Anna Xambó Sedó (De Montfort University)
Koray Tahiroğlu (Aalto University)

The full programme can be found here.
 

The MTI² at the British Science Festival 2022

 

 

The MTI² had a strong presence at September’s British Science Festival including a talk, a performance and a sound installation.

James Andean presented the talk Stories of Sound to an unexpectedly very large audience. This engaging talk recognised his passionate belief that the role sound has in our perception of the world often goes unrecognised. The talk focused on ‘sonic narratives’ which is also a focus in his compositions, unpicking the unique and incredible capacity that sound has for communicating actions, environments and meanings within our lives – transporting us to new and remembered worlds, as well as building a sense of the world around us.

Anna Xambó Sedó presented When Virtual Meets Reality, a research concert at the Manhattan 34 Cellar Bar on September 16, 2022, consisting of a presentation, performance and Q&A. The presentation introduced the practice of live coding and the music technologies that were going to be used in the performance. The performance was a live coding session using the self-developed tool MIRLCa. The audience was invited to participate in a live chat by suggesting words or 'tags' to be used by the performer to search sounds. The session concluded with a Q&A including the results of an online survey distributed among the audience. The performance can be seen online here. The British Science Festival writes: ‘the same code that creates the web pages and apps we use every day can be used to create music'. She sources her sonic material in real-time from an online collection of Creative Commons crowdsourced sonic samples, Freesound.org. All such concerts are one-of-a-kind performances as decisions are made during the performance and, of course, audience input will always be different. 

Bret Battey’s contemplative, audiovisual installation Traces, Molten premiered Sep 13-16 at LCB Depot as part of DMU’s collaboration with the British Science Festival. The ultra-high-definition video was rendered with custom software that uses thousands of individual optimisation search agents to create highly intricate, gradually transforming textures. Battey provided a quote from Walt Whitman’s ‘Leaves of Grass’ as an epigram to the installation: ‘See ever so far, there is limitless space outside that, / Count ever so much, there is limitless time around that.’

Presence at NIME 2022

 

 

Visda Goudarzi and Anna Xambó jave presented a paper and a performance at the International Conference on New Interfaces for Musical Expression 2022 (NIME 2022, 28 June - 1 July), which has been virtually held at Waipapa Taumata Rau, Aotearoa / The University of Auckland, New Zealand.

The short paper “The Mobile Audience as a Digital Musical Persona in Telematic Performance” discusses a self-built mobile web app, personic, designed for distributed audiences to constitute a digital musical instrument. It can be read at De Montfort Open Research Archive (DORA): https://dora.dmu.ac.uk/handle/2086/22012

The performance “Ear to Waipapa Taumata Rau” is a live-coding performance by performers from two different continents remotely exploring the sonic components of Waipapa Taumata Rau. It can be watched on YouTube. The performance paper is available at DORA: https://dora.dmu.ac.uk/handle/2086/22071.

shreds by Gerard Roma and Anna Xambó @ ICLI2022 and WAC2022

 

Pulso performing shreds at the Web Audio Conference 2022, Cannes, France. Photo by Ariane Stolfi.
 
shreds is a collaborative live coding performance by electronic music duo Pulso (Gerard Roma and Anna Xambó). In this performance, the duo uses a self-built live-coding environment in JavaScript that shows two code editors, one for each performer. The piece has been presented online at the International Conference on Live Interfaces (ICLI 2022, June 20-23) in Lisboa, Portugal, and on-site at the Web Audio Conference (WAC 2022, 6-8 July) in Cannes, France. 

The performance presented at ICLI 2022 can be watched on YouTube. Further information about the performance can be found in this performance paper on De Montfort Open Research Archive: https://dora.dmu.ac.uk/handle/2086/22072

Anna Xambó Interviewed on FluCoMa Podcast #06

In Episode 6 of the FluCoMa Podcast, Jacob Hart talks to the musician, developer, researcher and teacher Anna Xambó. The podcast discusses a number of her research projects, and how they feed into her creative practice. Her use of MIR techniques for live-coding, and dealing with large, online, crowd-sourced corpora on a platform such as Freesound are notably discussed.
The podcast can be watched on YouTube. Further information can be found at: https://learn.flucoma.org/explore/xambo/

Ear to Waipapa Taumata Rau - NIME2022 Performance Premiere, Thu. 19 May 2022

 


Ear to Waipapa Taumata Rau by Visda Gourdarzi & Anna Xambó 

Free Online NIME2022 Performance Premiere

Thursday, May 19th, 2022, 10:00 AM CDT (UTC -5) // 16.00 PM BST (UTC +1)

Livestream : https://www.twitch.tv/gvisda

 ‘Ear to Waipapa Taumata Rau’ is a live-coding performance by performers from two different continents remotely exploring the sonic components of the location of the NIME2022 conference - Waipapa Taumata Rau. The improvised performance is based on processing sound generated by crowdsourced field recordings from Waipapa Taumata Rau from Freesound.org. The piece is a premiere for NIME2022 and a free interpretation of John Cage’s ‘A Dip in the Lake’. The defining feature of this piece is although the conference participants, listeners and performers are globally distributed, by listening and contributing to the whole composition they could feel in location by their ears. The audience can also interact with the piece live visually and sonically on their mobile devices.

 




 

 

 

A Full Weekend of BEAST @ Centrala Concerts

 

This weekend starting from today, Friday 11th March, there are a series of concerts at Centrala in Birmingham.

The show will be kicking off on Friday at 7.30pm with immersive performances by Milad K. Mardakheh and Anna Xambó Sedó. The evening will also feature short performances by BEAST MA composers: Henry Eady, Michael Ryan, Joshua Dowling and Sam Bland.

On Saturday there will be two more concerts. On Saturday at 7pm the improvising laptop trio, Raw Green Rust formed by Jules Rawlinson, Owen Green and Dave Murray-Rust will serve up humorous abstract glitch-dub from promiscuous audio processing. On Saturday at 8.30pm there will be a performance featuring Dushume (Amit D. Patel), Maria Witek and Jake Williams.

The full weekend ticket to the three concerts as part of BEAST @ Centrala can be found at: https://bit.ly/3hvmN50

Do come along!

 


Jefferson Park EXP with Visda Goudarzi/Anna Xambó and Gerard Roma – 21 November 2021

 

 
Jefferson Park EXP with Visda Goudarzi / Anna Xambó and Gerard Roma – Sunday 21 November at 2pm (CST/UTC-06) on Twitch:


‘immerse in the lake’ is a remote live coding performance for two laptop performers distributed on two different continents. The performance is based on processing sound generated by crowdsourced and personal site-specific field recordings from Chicago throughout the year. The piece is a real-time improvisation and a free interpretation of John Cage’s ‘A Dip in the Lake’.

Visda Goudarzi and Anna Xambó started this collaboration in summer 2021 for the performance “Livesourcing: Audience Participation in a Live Coding Performance” premiered at Ear Taxi Festival, Chicago, IL, USA. 
 
 

 
Gerard Roma investigates the inner life of sounds by poking at computers and other electronic circuits. His work often involves digital transformation of recorded sound textures coerced into algorithmic forms via live coding and self-made audio-visual instruments. 
https://g-roma.github.io

More info of the event here.