PhD Student Edward Clijsen delivered a paper at the Innovation in Music Conference 2025 (InMusic25) at Bath Spa University, 20-22nd June, 2025. The paper reflected on the compositional process and outcomes of composing the piece Äußern (2024) for the ’19-div’ and ‘quarter-tone’ microtonal trumpets, in collaboration with Stephen Altoft of Microtonal Projects.
Stefano Catena's composition Travelling Without Moving continues to have performances having been accepted for the JIM/LAC (Journées de l'Informatique
Musicale/Linux Audio Conference) artistic programme in Lyon from the
23rd to 28th of
June. It will be played at the Théâtre Astrée of Lyon 1 University in 8.1 channel format.
The full programme is here: https://jimlac25.inria.fr/program/
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| Théâtre Astrée, Lyon |
A short article by Prof. John Young 'The Sound Pool' / 'Le réservoir sonore' was published today in a collection of artists' statements Did You Say Sound Library / Vous avez dit sonothèque? edited by Valentin Sismann in both French and English.
The collection includes statements from 23 composers on ways in which they gather, categorise and organise the sounds they make in the course of composing acousmatic music. It will be of interest to anyone working creatively with sound—in composition and/or sound design in many different settings.
The 50-page collection includes statements by François Bayle, Philippe Mion, Robert Normandeau, Elsa Justel, Hans Tutschku, Jonty Harrison, Elizabeth Anderson, Annette Vande Gorne, Tomonari Higaki, Ana Dall’Ara-Majek, Daniel Teruggi, Marco Marini, Armando Balice, Régis Renouard Larivière, Christine Groult, Denis Dufour, Jean-Marc Duchenne, Christian Zanési, Stéphane Roy, Lucie Prod’homme, Åke Parmerud and Young, as well as insight into the working methods of Bernard Paremgiani by Claude-Anne Parmegiani, Maxime Barthélemy and Marco Marini.
English version: https://valentinsismann.com/Vous-avez-dit-sonotheque-ENG
French version: https://valentinsismann.com/Vous-avez-dit-sonotheque
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| Valentin Sismann |
PhD student Edward Clijsen will be delivering a paper at the 7th BiennialResearch Conference for the International Society of Metal Music Studies (ISMMS), Seville, 3-6th June, 2025. The presentation will discuss the position of microtonality in the extreme, experimental and progressive metal musical landscape and reflect on how this has/will inform his compositional style and approach.
MTIRG's Professor Emeritus Simon Emmerson's new solo album (available in in CD and high resolution download formats) is out now, and will be officially launched on 4 June, 6.30pm till 8.00pm, the Bathway Theatre, Woolwich, London SE18 6QX.
The album is released on the well-known NMC label and features recent acousmatic pieces and works for instruments and electroacoustics, featuring Philip Mead and Zubin Kanga (piano), Carla Rees (flutes), Heather Roche (clarinets) and Simon Emmerson (electronics).
To secure a place at the launch please RSVP to development@nmcrec.co.uk by Friday 30 May. The
Bathway Theatre is located a six-minute walk from Woolwich Arsenal DLR
& mainline and TFL buses run frequent services nearby. For detailed
information about travel, please click
here
For a preview of the album visit:
https://www.nmcrec.co.uk/discover/simon-emmerson-sound-around-both-near-and-far-once
Former DMU Professor of Music Gavin Bryars was at DMU on Saturday 3 May to take part in the opening of the Leicester Gallery's contribution to The Art Schools of the Midlands project. Bryars was interviewed by John Beck and Matthew Cornford prior to giving a concert at St Mary de Castro church later that evening with his ensemble—Dave Smith (piano), James Woodrow (guitar), Morgan Goff (viola), Yuri Bryars (organ, bass, guitar), Audrey Riley (cello) and Bryars himself (keyboard, bass, guitar). Bryars founded the first music department at Leicester Polytechnic (now DMU), and a capacity audience witnessed this emotionally charged first performance by him at DMU since1994.
The concert included six works by Bryars from the 1960s and 70s: 1,2,1-2-3-4 (1972), The Squirrel and the Ricketty Racketty Bridge (1972), Catalogue (1965), 16 Continuous Fragments for solo guitar (1965), Mr Sunshine (1968) and Jesus' Blood Never Failed Me Yet (1971). The latter work is based around a recording of an unidentified homeless man, and was composed when Bryars was working in the Fine Art Department at DMU. It has attracted world wide acclaim and exists in several versions, including one with the added voice of Tom Waits and a choreographed version by William Forsythe. The concert was recorded by students of DMU's Music Production programme, to be released on vinyl by London-based Shrike records.
The Art Schools of the Midlands exhibition focuses on the impressive number of art schools located
in the Midlands and features original photographic images of all 48
sites from across the region, from Hereford to Boston, Chesterfield to
Northampton. Celebrating a key aspect of the civic, industrial and
architectural history of the region since the mid-nineteenth century,
the photographs are also an investigation of the present, recording the
sites of former art schools and their current circumstances.
https://www.instagram.com/theartschoolproject/
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| Gavin Bryars photographed with DMU Music Production students after the concert at St Mary de Castro. |