Showing posts with label Visda Goudarzi. Show all posts
Showing posts with label Visda Goudarzi. Show all posts

Presence at NIME 2022

 

 

Visda Goudarzi and Anna Xambó jave presented a paper and a performance at the International Conference on New Interfaces for Musical Expression 2022 (NIME 2022, 28 June - 1 July), which has been virtually held at Waipapa Taumata Rau, Aotearoa / The University of Auckland, New Zealand.

The short paper “The Mobile Audience as a Digital Musical Persona in Telematic Performance” discusses a self-built mobile web app, personic, designed for distributed audiences to constitute a digital musical instrument. It can be read at De Montfort Open Research Archive (DORA): https://dora.dmu.ac.uk/handle/2086/22012

The performance “Ear to Waipapa Taumata Rau” is a live-coding performance by performers from two different continents remotely exploring the sonic components of Waipapa Taumata Rau. It can be watched on YouTube. The performance paper is available at DORA: https://dora.dmu.ac.uk/handle/2086/22071.

Ear to Waipapa Taumata Rau - NIME2022 Performance Premiere, Thu. 19 May 2022

 


Ear to Waipapa Taumata Rau by Visda Gourdarzi & Anna Xambó 

Free Online NIME2022 Performance Premiere

Thursday, May 19th, 2022, 10:00 AM CDT (UTC -5) // 16.00 PM BST (UTC +1)

Livestream : https://www.twitch.tv/gvisda

 ‘Ear to Waipapa Taumata Rau’ is a live-coding performance by performers from two different continents remotely exploring the sonic components of the location of the NIME2022 conference - Waipapa Taumata Rau. The improvised performance is based on processing sound generated by crowdsourced field recordings from Waipapa Taumata Rau from Freesound.org. The piece is a premiere for NIME2022 and a free interpretation of John Cage’s ‘A Dip in the Lake’. The defining feature of this piece is although the conference participants, listeners and performers are globally distributed, by listening and contributing to the whole composition they could feel in location by their ears. The audience can also interact with the piece live visually and sonically on their mobile devices.

 




 

 

 

Jefferson Park EXP with Visda Goudarzi/Anna Xambó and Gerard Roma – 21 November 2021

 

 
Jefferson Park EXP with Visda Goudarzi / Anna Xambó and Gerard Roma – Sunday 21 November at 2pm (CST/UTC-06) on Twitch:


‘immerse in the lake’ is a remote live coding performance for two laptop performers distributed on two different continents. The performance is based on processing sound generated by crowdsourced and personal site-specific field recordings from Chicago throughout the year. The piece is a real-time improvisation and a free interpretation of John Cage’s ‘A Dip in the Lake’.

Visda Goudarzi and Anna Xambó started this collaboration in summer 2021 for the performance “Livesourcing: Audience Participation in a Live Coding Performance” premiered at Ear Taxi Festival, Chicago, IL, USA. 
 
 

 
Gerard Roma investigates the inner life of sounds by poking at computers and other electronic circuits. His work often involves digital transformation of recorded sound textures coerced into algorithmic forms via live coding and self-made audio-visual instruments. 
https://g-roma.github.io

More info of the event here.

Visda Goudarzi and Anna Xambó @ Chicago's Ear Taxi Festival, Friday 24 September 2021

 

On Friday 24 September at 12:00 PM (UTC-05:00, Chicago time) / 6:00 PM (UTC+01:00, London time), Visda Goudarzi and Anna Xambó will be presenting "Livesourcing: Audience Participation in a Live Coding Performance", an online performance at Ear Taxi Festival in Chicago.

Livesourcing: Audience Participation in a Live Coding Performance by Visda Goudarzi and Anna Xambó
12:00 PM (UTC-05:00, Chicago time) virtual performance with audience participation
Free
View performance here

Livesourcing is a participatory remote live coding performance for audience members and laptop performers. The performance is based on processing sound generated by crowdsourced and personal site-specific sounds from Chicago combined with the audience’s influence in real time in a free interpretation of John Cage's A Dip in the Lake.

More info here