Showing posts with label interactive. Show all posts
Showing posts with label interactive. Show all posts

MTI Event Series: Concert 1, 14 October 2015 @ PACE Studio 1

Pre-concert installation (PACE 2, Doors: 6.15pm)

Paul Keene & Garry Cox – Kinectivity (a Kinect-driven interactive installation depicting an immersive forest sound environment).

Concert (PACE 1, 7pm)

Leigh Landy - Xūn (Old/New) (13’), 8-channel
Steve Green - Iridescence (8’30), stereo
Virginie Viel (Collectif Séneçon) - Path (15’)
Neal Spowage - Dis-comforting (1’16), AV stereo
Neal Spowage - New Track Of Unknown Terra II (6’21), AV stereo
Louise Rossiter - Rift (c.8’), stereo
Grace Dior - Viva Voce (4’17), stereo
John Young - Brink (13’27), 10.1

MTI Student Welcome Event

Exchange Bar, 8.30pm(ish)

All Welcome!

Concert PACE 1 Wednesday 11th February 7pm

The Birmingham Ensemble for Electroacoustic Research (BEER) was founded in 2011 as a research project to explore aspects of realtime electroacoustic music making. Particular interests include networked music performance over ad hoc wi-fi systems, and live coding (programming music in real time using algorithms that can be altered while they are running). In keeping with post-free jazz developments in improvisation (e.g. John Zorn, Anthony Braxton), we create structures in software that impose limitations and formal articulations on the musical flow (with networked software systems serving as intervention mechanism / arbiter / structural provocateur par excellence). Musical influences run the gamut from Iannis Xenakis to Journey.
Members include Norah Lorway, Konstantinos Vasilakos, Luca Danieli, Tsun Yeung, and Scott Wilson. For this performance BEER presents a selection of pieces from the ensemble’s repertoire, including the premiere of a new work by Norah Lorway.
All welcome! Entry Free! 

At 1pm that day (MTI Research Lab, Clephan 0.19) Nick Collins and Scott Wilson present their ideas in a Research Seminar -

Dr Nick Collins (Durham) - 'Large-scale corpus analysis of electronic music'
In which researchers on an AHRC funded mini-project attempt to build a larger scale (circa 2000 piece) audio corpus of electronic music from 1948-2000, and run automatic machine analysis experiments.
Dr Scott Wilson (Birmingham) - ‘Free as in BEER’
The Birmingham Ensemble for Electroacoustic Research (BEER) was founded in 2011 as a research project to explore aspects of realtime electroacoustic music making. Particular interests include networked music performance over ad hoc wi-fi systems, and live coding (programming music in real time using algorithms that can be altered while they are running).

All Welcome!

MTI Mix 2 - Concert Pace 1 Wednesday 12th November 7pm



Wednesday November 12th, 2014 7.00pm
PACE Building, Studio 1, Richmond St., Leicester

MTI Mix 2

We continue our 15th Birthday Season celebrating our members’ great success over the last year – and introducing some new members.


Michael Young                                    Piano Prosthesis
Michael recently joined DMU as Pro-Vice Chancellor (Teaching and Learning). He performs this interactive piano/computer piece himself.
Virginie Viel                                    Nuage Noir
Virginie recently joined MTI as a research student after a Masters at Mons (Belgium) including studies with Annette Vande Gorne and Elizabeth Anderson.
Simon Atkinson                                    afterimages
A new work evoking the rich and mysterious sounds of nature, exploring composition as landscape.
Louise Rossiter                         Cyclic Motions
Louise is a PhD research student in MTI - she has just returned from a composing residency in Montreal.

Marinos Giannoukakis                        Musica Universalis
A new work for computer-generated graphics and 8-channel sound. Marinos is a PhD research student in MTI.
All welcome! Entry Free!

Watch this space for our continuing MTI events series
http://www.mti.dmu.ac.uk/must/