Renowned Indian Recording Engineer to Visit MTI

 

Mr. Avinash Oak, a distinguished individual with a remarkable career journey in sound recording and engineering will give a talk on his experiences in this field at 1pm on Thursday 14 September in the Courtyard Studio.

 

Graduating in 1973 with a Gold Medal in Sound Recording & Sound Engineering from the esteemed Film & TV Institute of India (Pune), Mr. Oak's passion for audio excellence was ignited early in his career which took off as an Assistant Location Sound Engineer for renowned film productions like Roti Kapda Aur Makaan and Ishq Ishq Ishq. In 1974, he embarked on a prolific career at Western Outdoor, a leading music recording studio, where he ascended to the role of Associate Director-Audio with a tenure spanning nearly three decades. Avinash Oak's expertise extends across an impressive spectrum—from engineering recording sessions for songs in various genres and feature films to curating soundtracks for commercials, ballets, and audiovisual productions. Notably, he ventured abroad to enhance his skills by attending an APRS course at Surrey University in 1986. A lifelong member of the Audio Engineering Society, Mr. Oak is also a pivotal figure in the Indian chapter of the organization. His contributions have been honoured with prestigious accolades, including the ‘Lifetime Achievement Award’ of the Indian Record Industry Awards 2015, the ‘Outstanding Contribution to the Music Industry, Jury Award’ at the Mirchi Music Marathi Awards 2018, and the ‘Outstanding Contribution to Audio Education 2017’ at Soundideaz Academy. Beyond his illustrious career, Oak has imparted his wisdom as Visiting Faculty at various institutions, such as Mumbai Music Institute, ZEE Institute of Media Arts, Satyajit Ray Film & TV Institute, and more. As a Consulting Editor for Pro Sound Systems magazine, Avinash Oak continues to shape and inspire the world of sound engineering with his unparalleled expertise.

 


This Friday Sept. 8th: Across Reality - Mixed Reality Musical Instrument in Design and Ensemble

Rob Chafer and Anna Xambó would like to invite all interested to the following seminar on Friday 8th September 2023, 14:00 – 15:00 in PACE (PA0.01a), DMU PACE Building:

Title: Across Reality: Mixed Reality Musical Instrument in Design and Ensemble
Day: Friday 8th September 2023
Time: 2 pm – 3 pm (UK time)
Venue: PACE (PA0.01a), DMU PACE Building
FREE ENTRANCE 























Abstract:
Recent commercial mixed-reality computers present opportunities for natural gestural control in three dimensions, particularly when using hand-tracking in a creative interface. Existing musical interfaces with head-mounted displays often depend on dedicated input devices that are not designed specifically for musical gestures and may not support appropriate interactions. We are yet to see widespread adoption of freehand-enabled mixed reality musical instruments. Furthermore, a significant constraint of this type of instrument is the visibility issue within digital music ensembles, which can limit their ability to collaborate effectively.
In this talk, I’ll first present an authentic mixed reality musical instrument designed through a first-person autobiographical approach. I’ll then share an ongoing work aimed at supporting electronic musicians in a digital musical ensemble mediated by a mixed reality interface. 

Bio: 
Yichen Wang (she/her) is a PhD researcher in the Sound, Music and Creative Computing lab at the Australian National University. Her research combines augmented reality and human-computer interaction with artistic practice in new musical interface and expression design and collaboration. Yichen has been performing with her mixed reality musical instrument isometric-sen since 2022, including at Electronique Canberra, OzCHI2022 and NIME2023 music track. 

Personal website: https://yichenwangs.github.io  

Note: This session will not be video streamed/video recorded. 


Battey to masterclass, screening and installation at PyR Lisbon, October

Prof Bret Battey will be presenting a masterclass on Tue, October 10, as part of the Punto y Raya Festival in Lisbon. The festival will be the eighth edition of Punto y Raya, which describes itself as "The Most Abstract Festival in the World"— "a feast of pure form, colour, motion and sound". Battey's film Estuaries 4 will also be screened as part of the festival. The masterclass, entitled 'Six Works, Seven Years, Millions of Dots', will focus on audiovisual composition and algorithms in Battey's "Estuaries" series and recent installation works.

The festival will also screen Battey's audiovisual composition 'Estuaries 4' and will include his installation work 'Traces, Molten'.


 


Interview with Battey in new book on Visual Music

Prof Bret Battey is amongst the artists profiled and interviewed for a new book by David Payling, Electronic Visual Music: The Elements of Audovisual Creativity, to be released September 12, 2023. It aims to provide "insight into contemporary working methods and gives a snapshot of the state of the art in this ever-evolving creative discipline."



Luigi Russolo Competition Finals Concert @ DMU / Talk @ Phoenix

On 26 September, DMU will host a free concert of electroacoustic music featuring the finalist pieces in the 2023 Luigi Russolo Competition for Electroacoustic Music.  Former winner and current director of the Russolo competition, Philippe Blanchard, will give a talk on the father of noise music, Luigi Russolo, at 6pm at the Phoenix Cinema and Arts Centre (Phoenix Square, 4 Midland St, Leicester).  This talk will explore Russolo’s work and his influence on the Italian Futurist movement. It will also explore the role of evolving technology in the acousmatic repertoire—from Russolo’s intonarumori (noise makers) to the present day. The talk will be of interest to anyone interested in the history of electronic music and alternative performance. 

The concert, in surround audio, will follow at 7.30pm in PACE Studio 1, Richmond Street, DMU Admission is free for both events.