https://www.mitpressjournals.org/doi/abs/10.1162/LMJ_a_01047
Leonardo Music Journal
Volume 28 | Volume 28 - December 2018
p.88-94
The article reflects on how the author’s use of oral history recordings as source material in three electroacoustic works suggests ways in which complementary threads of storytelling and recorded memory can be shaped into purposefully directed forms.
