https://www.facebook.com/events/1144344502398534/
"Simon Emmerson presents a concert of contemporary works meditating on contemporary music practice and the malleability of memory and recorded sound.
Emmerson's forty years of work reflect the changing technology of music; commissions include works for the Smith Quartet, Philip Sheppard (electric cello), Philip Mead (piano) with the Royal Northern College of Music Brass Quintet, Darragh Morgan (violin) and Keynote+ (Jane Chapman and Kate Ryder - harpsichord and piano) and Sond’Ar-te Ensemble (Lisbon). He has also completed purely electroacoustic commissions from the IMEB (Bourges), the GRM (Paris) and the Inventionen Festival (Berlin).
CDs of his works have been issued by Continuum (1993) and Sargasso (2007 and 2008). He contributed to and edited The Language of Electroacoustic Music in 1986 (Macmillan, still in print) and Music, Electronic Media and Culture (Ashgate (now Routledge), 2000).
He was founder Secretary of EMAS (The Electroacoustic Music Association of Great Britain) in 1979, and served on the Board of Sonic Arts Network from its inception until 2004. He was a Trustee of its successor organisation ‘Sound and Music’ 2008-2013. In 2009-2010 he was DAAD Edgar Varese Visiting Professor at the TU, Berlin. He was visiting Professor and Composer at the Western Australian Academy of Performing Arts (Perth) in November 2016. He gave the keynote addresses at the Australasian Computer Music Conference 2011 (Auckland) and the International Computer Music Conference 2011 (Huddersfield), Music Science Technology 2012 (São Paulo), WOCMAT 2012 (Taiwan), Audiomostly 2014 (Aalborg), AHEM 2016 (London), BEAST Feast 2017 (Birmingham)."
