MTIRG members met on 9 April in the Music, Technology and Innovation Research Lab for a day-long symposium to
share research.
Presentations were given by:
Robert Chafer—Mixed Reality Spatial Audio Composition: a distribution
platform for multichannel electroacoustic works
Matt Rogerson—Dromos/Autos: The Autistic
Ontology as Performance
Edward Clijsen—Redividing the Octave for
Expanded Tonal Spaces: Reflections on Recent Practical Explorations of
Formalised Approaches to Microtonal Composition
Matthew London—The Integrated Soundtrack: An Analytical
Exploration of the Auditory Elements of Music, Sound Design, and Dialogue
Within Horror Cinema
Cristiana Palandri—Materialising sound-based
composition: exploring multisensory perception and audience engagement between
tactile and sonic spheres
Stefano Catena—Analysis and findings of
Intention/Reception questionnaires on spatialisation in acousmatic music
Conor Snape—From Concept to Gameplay:
Practical Approaches to IDM Derived Sound Effect & Adaptive Audio Design in
Modern Video Game Development)
Joe Stillwell—A Study in Movers and Musicians:
A Multidisciplinary Lens of Improvisation)
John Young—The Long and Short of Acousmatic
Music).
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Presenters at the MTIRG Symposium, clockwise, L-R: Edward Clijsen, Conor Snape, Robert Chafer, Joe Stillwell, Matt Rogerson, John Young, Matthew London. Centre: Stefano Catena, Cristiana Palandri
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