Jefferson Park EXP with Visda Goudarzi/Anna Xambó and Gerard Roma – 21 November 2021

 

 
Jefferson Park EXP with Visda Goudarzi / Anna Xambó and Gerard Roma – Sunday 21 November at 2pm (CST/UTC-06) on Twitch:


‘immerse in the lake’ is a remote live coding performance for two laptop performers distributed on two different continents. The performance is based on processing sound generated by crowdsourced and personal site-specific field recordings from Chicago throughout the year. The piece is a real-time improvisation and a free interpretation of John Cage’s ‘A Dip in the Lake’.

Visda Goudarzi and Anna Xambó started this collaboration in summer 2021 for the performance “Livesourcing: Audience Participation in a Live Coding Performance” premiered at Ear Taxi Festival, Chicago, IL, USA. 
 
 

 
Gerard Roma investigates the inner life of sounds by poking at computers and other electronic circuits. His work often involves digital transformation of recorded sound textures coerced into algorithmic forms via live coding and self-made audio-visual instruments. 
https://g-roma.github.io

More info of the event here.

This week: MTI² hosts EMS21 conference!

This week MTI² is very proud to be hosting the 2021 EMS conference!

http://www.ems-network.org/ems21/index.html

Music, Technology and Innovation – Institute for Sonic Creativity (MTI2)

De Montfort University, Leicester UK
Wed. 10 – Sat. 13 November 2021

EMS21 Conference Theme: Future Directions of Electroacoustic Music Studies

Celebrating 20 years of Music, Technology & Innovation at De Montfort University, and 25 years of the ‘Organised Sound’ journal, 2021 is an opportune moment to investigate the state of our field and, perhaps more importantly, look to the future. As sonic creativity continues to develop rapidly, its field of study is arguably still in search of itself. Are we suffering from the old adage that music cannot be studied until it has existed for a long time? Or perhaps from our field being too interdisciplinary in nature?

EMS21 seeks to present, alongside up-to-date research results, a number of papers investigating how today’s and tomorrow’s specialists expect this important field to evolve. Will it settle in as a contemporary sub-area of musicology? Or will it find its own foci of scholarly endeavour thanks to the fact that it incorporates all sounds as well as many forms of technology?

Keynote Speakers:
Georgina Born (Oxford University)
Simon Emmerson (De Montfort University)