Visda Goudarzi and Anna Xambó started this collaboration in summer 2021 for the performance “Livesourcing: Audience Participation in a Live Coding Performance” premiered at Ear Taxi Festival, Chicago, IL, USA.
More info of the event here.
More info of the event here.
This week MTI² is very proud to be hosting the 2021 EMS conference!
http://www.ems-network.org/ems21/index.html
Music, Technology and Innovation – Institute for Sonic Creativity (MTI2)
De Montfort University, Leicester UK
Wed. 10 – Sat. 13 November 2021
EMS21 Conference Theme: Future Directions of Electroacoustic Music Studies
Celebrating 20 years of Music, Technology & Innovation at De Montfort University, and 25 years of the ‘Organised Sound’ journal, 2021 is an opportune moment to investigate the state of our field and, perhaps more importantly, look to the future. As sonic creativity continues to develop rapidly, its field of study is arguably still in search of itself. Are we suffering from the old adage that music cannot be studied until it has existed for a long time? Or perhaps from our field being too interdisciplinary in nature?
EMS21 seeks to present, alongside up-to-date research results, a number of papers investigating how today’s and tomorrow’s specialists expect this important field to evolve. Will it settle in as a contemporary sub-area of musicology? Or will it find its own foci of scholarly endeavour thanks to the fact that it incorporates all sounds as well as many forms of technology?
Keynote Speakers:
Georgina Born (Oxford University)
Simon Emmerson (De Montfort University)
It is our pleasure to announce the new album release Dirty Dialogues on Chicago netlabel pan y rosas discos, a collaboration between Dirty Electronics Ensemble led by John Richards, Jon.Ogara, and Anna Xambó. The album art and design have been carefully crafted by Angela Guyton.
Here's the press release of the album:
Dirty Dialogues is an encounter between Dirty Electronics Ensemble, Jon.Ogara and Anna Xambó in a free music improvisation session after a long pandemic lockdown. Thirteen musicians on stage combining analogue and digital instruments, acoustic and electronic materials, live coding and DIY sound-making techniques. An intense polymorphic journey of sonic exploration and chaos, which is especially recommended for noise music lovers.
You can find out further information and download the album from:
* Dirty Dialogues on www.panyrosasdiscos.org.
* Dirty Dialogues on panyrosasdiscos.bandcamp.com.
All the proceeds from this album will be donated to Freesound.
The MIRLCAuto is a project funded by EPSRC HDI Network Plus Grant.
MTI² alumna Louise Rossiter has won first prize at the 2021 Prix Russolo competition:
https://prixrussolo.blogspot.com/2021/09/prix-russolo-award-2021-louise-rossiter.html
Congratulations to Louise, who was up against some stiff competition, including works by two past winners of the award...
This week, the finalists for this year's Prix Russolo will be presented in Leicester at The Western Pub Theatre, including work by MTI² alumna Louise Rossiter:
https://www.facebook.com/prixrussolo
Wednesday September 29th 2021, 7:30 pm
The Western Pub Theatre, 70 Western Rd, Leicester LE3 0GA
On Friday 24 September at 12:00 PM (UTC-05:00, Chicago time) / 6:00 PM (UTC+01:00, London time), Visda Goudarzi and Anna Xambó will be presenting "Livesourcing: Audience Participation in a Live Coding Performance", an online performance at Ear Taxi Festival in Chicago.
Livesourcing: Audience Participation in a Live Coding Performance by Visda Goudarzi and Anna Xambó
12:00 PM (UTC-05:00, Chicago time) virtual performance with audience participation
Free
View performance here
Livesourcing is a participatory remote live coding performance for audience members and laptop performers. The performance is based on processing sound generated by crowdsourced and personal site-specific sounds from Chicago combined with the audience’s influence in real time in a free interpretation of John Cage's A Dip in the Lake.
More info here
This week MTI² is in full force at CMMAS's Visiones Sonoras 17 International Festival of Music and New Technologies!
The festival takes place online, and much of it is free and open to all, with presentations and concerts available online at any time.
The festival includes presentations by a number of MTI all-stars, including:
Bret Battey: Fluid Audiovisual Counterpoint in Estuaries 3
Leigh Landy: MTI² - Institute for Sonic Creativity: A centre with a vision (and a CMMAS partner)
Simon Emmerson: Memories and Feelings of Sound
John Young: Partial Objects: A perspective on Spectralism
John Richards: The Music of Things
All are accessible via the full list of presentations: https://en.cmmas.com/conferencias-3
Also, be sure to check out the concert playlist of recent audio-visual works by students of MTI, including Sebastiano Gualtieri, Phoebe Scoutari, Samuel Thomas, Mick Ryan, and Wil Morrison:
General info on participating in the full range of this year's Visiones Sonoras events is available here:
https://en.cmmas.com/vs17-indicaciones
TONIGHT!! The CIME (International Confederation of Electroacoustic Music) 2021 Festival features an online concert of new international works, including acousmatic work by MTI undergrad Matthew Thompson & audiovisual work by MTI alumnus Wil Morrıson!
Friday September 17th, 6pm UK time.
This month Routledge is publishing the book 'Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives', including a chapter by MTI² director Leigh Landy titled ‘It’s Not (Just) About History and, by the Way, Which History?’
"Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as:
What can instructors do to expand and diversify musical knowledge?
Can the study of electronic music foster critical reflection on technology?
What are the implications of a digital culture that allows so many to be producers of music?
How can instructors engage students in creative experimentation with sound?
Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability."
On Sunday 11 July 2021, Dirty Electronics will be presenting the MONSTROUS ASSEMBLAGE workshop & performance at IKLECTIK in London:
https://iklectikartlab.com/dirty-electronics-monstrous-assemblage/
IKLECTIK presents:
DIRTY ELECTRONICS – MONSTROUS ASSEMBLAGE
Workshop+Performance
Sunday 11 July 2021
Tickets: https://buytickets.at/iklectik/534387
PERFORMANCE
7.30pm (doors 7pm) | £8 early birds / £10 general admission
Dirty Electronics + special guests
WORKSHOP
2pm – 6pm | £25 | Limited places (12 max)
A workshop-installation and celebration of coming together, group work, physical materials and raw sound.
We will:
create a group performance-installation
generate sound with old motors
build noise circuits (DDS, wood, nails, wire-wrapping)
prepare DIY sound-systems and loudspeakers
resonate found objects
attend to sound
work both individually and collectively
Participants to bring:
Scrap bit of wood
3x AAA battery
Found resonant object
contact: John Richards 07980985718 / contact@dirtyelectronics.org
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HEALTH AND SAFETY NOTICE
• We strongly recommend to buy the ticket online.
• There will be hand sanitizers available at the venue.
• On arrival, we’ll be checking guest temperatures with a contact free thermometer. Anyone with temperature above 38 degrees or COVID-19 symptoms will not be permitted into the venue.
• Face masks must be worn at all times inside of the venue; please notify us if you are exempt from wearing it.
• If social distancing will not be lifted after the 21st of June, this event will still go ahead but with stricter health and safety measures.
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MTI² director Leigh Landy’s latest piece, ‘E Pluribus Plures’, will receive a broadcast premiere on May 19th 2021 at 20.00 (BST) on the radio programme Radioateliér on Czech national radio (https://vltava.rozhlas.cz/program#/2021-05-19), during a broadcast which he is sharing with a new piece by Pierre Alexandre Tremblay (University of Huddersfield).
(Note that this is a binaural recording, so headphone listening is recommended.)
The piece will receive its concert premiere in October 2021 when Landy is to appear as invited guest composer at the Musicacoustica Festival in Beijing.
MTI² director Leigh Landy has been invited to give a talk at the Estonian Academy of Music and Theatre on March 19th, entitled ‘The field of electroacoustic music studies and where analysis fits in’: