'Three Spaces in Mid-Air', a 2017 acousmatic composition by MTI's Professor of Composition John Young, has won the 2019 KLANG! competition for electroacoustic composition:
https://klangacousmonium.wordpress.com/concours-international-de-composition-electroacoustique-klang/
In addition, James Andean's 'Valdrada' and John Young's 'Abwesenheit' were both included among the competition finalists.
On 'Three Spaces in Mid-Air':
"Form, writes Nicholas Bourriaud, is ‘structural unity imitating a world.’ I have responded to this idea with Three Spaces in Mid-Air, which is designed as a continuous work in three discrete sections. Each explores the idea of spectral space through interaction and coalescence of sonic strata, as three-dimensional objects ‘suspended’ before the listener. The work’s individual sections also address the compression of form, each aiming to embody the atmosphere of a self-contained ‘world’ — evoking implications of direction, tension and release while balancing states of stasis and motion."
MTI activities this month in Mexico
Head of the Institute, Leigh Landy, is in Mexico City this month, for a range of activities including:
- A solo concert and three talks at CMMAS (Mexican Centre for Music & the Sonic Arts), in Morelia:
https://cmmas.org/cmmas_eventos.php?lan=es&id=1726
- A meeting with the Dean of Music and Head of Music Technology at UNAM (the National Autonomous University of Mexico) in Mexico City, to discuss a new collaborative agreement with MTI². UNAM has courses at all levels in Mexico City, as well as postgraduate courses led by CMMAS.
- Co-directing this year's Electroacoustic Music Studies conference at UNAM, Mexico City.
This will include two talks, along with MTI's James Andean, on our planned ‘Sensing Sounds’ project.
The event will also include the launch announcement for EMS20, which will take place at the MTI² in June 2020 - stay tuned for more info!
- A solo concert and three talks at CMMAS (Mexican Centre for Music & the Sonic Arts), in Morelia:
https://cmmas.org/cmmas_eventos.php?lan=es&id=1726
- A meeting with the Dean of Music and Head of Music Technology at UNAM (the National Autonomous University of Mexico) in Mexico City, to discuss a new collaborative agreement with MTI². UNAM has courses at all levels in Mexico City, as well as postgraduate courses led by CMMAS.
- Co-directing this year's Electroacoustic Music Studies conference at UNAM, Mexico City.
This will include two talks, along with MTI's James Andean, on our planned ‘Sensing Sounds’ project.
The event will also include the launch announcement for EMS20, which will take place at the MTI² in June 2020 - stay tuned for more info!
John Richards in new documentary film 'The Sound is Innocent'
MTI's John Richards is one of the featured artists in the 2019 documentary 'The Sound is Innocent'. You can spot him, and his work with Dirty Electronics, in the film's trailer: https://www.youtube.com/watch?v=ByJSwD4j43A
"As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way. The oblique strategies through which analog equipment and digital recording tactics create new possibilities are observed by the filmmaker with playful affection, like a scientist in his lab among his favorite tools and… toys. A documentary debut that challenges all the preconceived notions about the observational approach and manages to create an exhilarating landscape in which sound becomes and space dissolves itself in tones never heard before. A different kind of space odyssey."
"As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way. The oblique strategies through which analog equipment and digital recording tactics create new possibilities are observed by the filmmaker with playful affection, like a scientist in his lab among his favorite tools and… toys. A documentary debut that challenges all the preconceived notions about the observational approach and manages to create an exhilarating landscape in which sound becomes and space dissolves itself in tones never heard before. A different kind of space odyssey."
Out now & online: "Perceptual Issues Surrounding the Electroacoustic Music Experience", ed. Sven-Amin Lembke
Out now & online - the latest issue of the journal Organised Sound, guest edited by MTI's Sven-Amin Lembke:
"Perceptual Issues Surrounding the Electroacoustic Music Experience"
Volume 24 - Special Issue 1 - April 2019
Click here to visit the Cambridge Journals page for Organised Sound
"Perceptual Issues Surrounding the Electroacoustic Music Experience"
Volume 24 - Special Issue 1 - April 2019
Click here to visit the Cambridge Journals page for Organised Sound
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