LLEAPP Symposium, March 4-6th 2015

PACE, Phoenix Café Bar & Leicester Hackspace 

LLEAPP (Laboratory for Laptop and Electronic Audio Performance Practice) is a collective of musician-researchers based in Edinburgh. It is run on the basis of a 3-day practice-led symposium, discussing tactics and strategies for collaborative play, a series of open rehearsals, and finishes with a performance each day.

LLEAPP started in 2009 at the University of Edinburgh, has since been held at different universities across the UK, and is being hosted this year by De Montfort University, Leicester.

Among featured guests will be Hong Kong-based Takuro Lippit (aka DJ Sniff), a turntablist working in the field of improvised and experimental music; cellist and string arranger Audrey Riley whose work ranges from The Smiths to the Merce Cunningham Dance Company; Swedish noise artist Max Wainwright; mobile artist Steranko; and John Richards with members of the Dirty Electronics Ensemble.

Francesc Martí's 'Speech 1' Screenings at Slingshot Festival, Play Festival & N_SEME

'Speech 1', an audio-visual piece by MTI PhD Francesc Martí, will be screened at three events in the United States throughout February and March.

The piece will be presented as part of the World Electroacoustic Listening Room (WEALR) project on 28 February, one of many concerts taking place at the New Music Festival held at California State University Fullerton.

In March, the piece will be screened in three other music events: N_SEME (March 6-7) at Bowling Green State University, Ohio, Play Festival (March 13-14) at Oberlin College, Ohio and Slingshot Festival (March 26-28) in Georgia.

Watch 'Speech 1' Here

Find out more about Francesc here

Recent News: Luca Forcucci – Exhibition at Berlin's Scotty Enterprises + recent concerts

Electraoacoustic composer Luca Forcucci is currently hosting at exhibition at the Scotty Entreprise in Berlin until the 21st of February 2015. In a concert tonight (18/02/2015), Luca will perform 'In a Silent Way' – Audrey Chen (China/USA), Satch Hoyt (UK/USA) will also perform.
Source: http://willychyr.com/tag/luca-forcucci/

Find more information about the event on Facebook.

Throughout 2014 Luca participated in a wide variety of events. These include hosting a concert and workshop at RAME, receiving a grant from Pro Helvetia for research into EEG technology and also undertaking residencies at Berlin's ZK/U and the Swiss institute in Rome. Luca's compositions have been included in concert series across Italy, Switzerland and China.

Luca is a PhD student within the Music, Technology & Innovation Research Centre at De Montfort University. For more information click here.




Recent News: Leigh Landy 'Compose Your Words', US Tour & EuroMAC 2014 Keynote


Leigh Landy's has recently released “Compose Your Words. Commissioned by Intelligent Arts, it is an ePublication available on Amazon and many other such providers. 


He also made a tour through the US in November. This included four concerts in three states, including a concert at Stony Brook University repeated at a Manhattan Gallery, a one-composer concert in Oregon and an MTI concert at the South West Electronic Music Festival in Arizona, and six talks. He visited Stony Brook University in New York State, Arizona State University where he discussed exchange potential between their Arts, Media and Engineering Group and the MTI, the Leicester Media School and the Dance programmes and the University of Oregon. 

Lastly, Leigh also gave a keynote talk and chaired a round table discussion at the European Music Analysis Conference (EuroMAC 2014) at the University of Leuven, Belgium on 20 September 2014 as part of a two-day session “Listening to Electroacoustic Music through Analysis”. His paper was titled: “How Listening-based Analysis Can Aid the Understanding and Appreciation of Electroacoustic Music”.

More information about the conference can be found by visiting http://www.euromac2014.eu.

Two MTI concerts for Cultural Exchanges Festival - Philip Mead - PACE 1 Thursday 26th February 7.30pm


De Montfort University Cultural Exchanges Festival 2015
Thursday February 26th, 2015 7.30pm
PACE Building Studio 1, Richmond St., Leicester

Philip Mead – piano with electronics and visuals
Philip Mead is one of Britain’s foremost interpreters of contemporary piano music, and has commissioned and premiered a vast number of works in the last thirty five years. He is a Research Fellow at the University of Hertfordshire. He is founder and artistic director of the British Contemporary Piano Competition, held every three years since 1988. He completed an MA at MTI, De Montfort, in performing with live electronics in 2007.

Hugi Gudmundsson (music) with Bret Battey (live visuals) Triptych Unfolding (piano, electronics, live visuals) (2014)
Neal Farwell Songs and Shards (piano, electronics) (2012)
Simon Emmerson Microvariations II (piano, electronics) (2015)
Richard Hoadley (music) with Katharine Norman (text) How to Play the Piano in 88 notes (piano, projection) (2014)

All welcome! Tickets should be booked – Free to MTI students!
Box Office: 0116 2506229

Two MTI concerts for Cultural Exchanges Festival - Annette Vande Gorne - PACE 1 Wednesday 25th February


De Montfort University Cultural Exchanges Festival 2015
Wednesday February 25th, 2015
Seminar: 1pm – Concerts 7pm and 8.30pm
PACE Building Studio 1, Richmond St., Leicester

Annette Vande Gorne - ‘Text, Voice, Gesture, Space’
The programme features two concerts of work by this leading Belgian composer - one performed by Annette Vande Gorne herself, followed by a programme of performances by UK based colleagues and former students. Annette Vande Gorne, one of Belgium’s leading composers, has been Professor of electroacoustic composition at the Royal Conservatories in Liège, Brussels and Mons. She founded the Musiques & Recherches and the Métamorphoses d’Orphée studios (Ohain). She also founded the festival and performance competition L’Espace du son (Brussels) and the composition competition Métamorphoses.


1-2pm: Annette Vande Gorne will talk about her work with examples.
7-8.10pm: Concert Annette Vande Gorne – ‘Text, Voice, Gesture, Space’
Vox Alia (1995-2000)
Yawar Fiesta acte II (opéra acousmatique) (2012/2007)
Au-delà du réel (2013-2014)
8.30-9.30pm: Concert friends –
John Young  An Angel at Mons (2014)
Louise Rossiter Tout Autour de la Montagne (2014)
Virginie Viel   I belong to the sea (2015)

All welcome! Tickets should be booked – Free to MTI students!

Concert PACE 1 Wednesday 11th February 7pm

The Birmingham Ensemble for Electroacoustic Research (BEER) was founded in 2011 as a research project to explore aspects of realtime electroacoustic music making. Particular interests include networked music performance over ad hoc wi-fi systems, and live coding (programming music in real time using algorithms that can be altered while they are running). In keeping with post-free jazz developments in improvisation (e.g. John Zorn, Anthony Braxton), we create structures in software that impose limitations and formal articulations on the musical flow (with networked software systems serving as intervention mechanism / arbiter / structural provocateur par excellence). Musical influences run the gamut from Iannis Xenakis to Journey.
Members include Norah Lorway, Konstantinos Vasilakos, Luca Danieli, Tsun Yeung, and Scott Wilson. For this performance BEER presents a selection of pieces from the ensemble’s repertoire, including the premiere of a new work by Norah Lorway.
All welcome! Entry Free! 

At 1pm that day (MTI Research Lab, Clephan 0.19) Nick Collins and Scott Wilson present their ideas in a Research Seminar -

Dr Nick Collins (Durham) - 'Large-scale corpus analysis of electronic music'
In which researchers on an AHRC funded mini-project attempt to build a larger scale (circa 2000 piece) audio corpus of electronic music from 1948-2000, and run automatic machine analysis experiments.
Dr Scott Wilson (Birmingham) - ‘Free as in BEER’
The Birmingham Ensemble for Electroacoustic Research (BEER) was founded in 2011 as a research project to explore aspects of realtime electroacoustic music making. Particular interests include networked music performance over ad hoc wi-fi systems, and live coding (programming music in real time using algorithms that can be altered while they are running).

All Welcome!