John Young's 'Once He Was a Gunner': Radio premiere October 3rd

MTI²'s Prof. John Young's new work Once He Was a Gunner (2020)—a 56-minute radiogenic composition—will have its premiere broadcast on Radio New Zealand's Concert's Sound Lounge programme on Saturday 3 October, at 21:30 (9:30am UK time on the same day). The live stream will be available at https://www.rnz.co.nz/concert.

Once He Was a Gunner is based on the Second World War memories of the composer’s father, Alex Young. Born in the North East of England in 1920, Alex had emigrated to New Zealand as a child.  In 1941 he was conscripted as a gunner in the 5th Field Regiment of the New Zealand Division and served continuously until 1945.  He was at key moments of the New Zealanders’ North African and Italian campaigns such as El Alamein, Minquar Quaim, Monte Cassino, Orsogna and the Senio River.  During the Italian campaign the severe and wet winters of 1943 and 1944 meant that many units of both allied and German forces stayed in civilian homes. It was at one such location in Central Italy that Alex met his future wife, and the work is based on an interview that John carried out with Alex after revisiting that place in 2005.  A series of vividly described recollections is connected by sound transformations aiming to evoke the unspoken emotions that lie behind strong memories.  The events represented are not in strict chronological sequence and John writes:  

“I wanted to present them in the manner of memories revealed, perhaps through association or as a response to some unknown conversational seed.  This is precisely how I grew up, with a patchwork of knowledge about my father’s wartime experiences—sometimes shocking, sometimes humorous—and, as was the case for many returning soldiers, he talked more about the war as he grew older.  Hearing these stories now I am reminded of the extent to which the war, or more precisely memory of the war, was a current that ran like a river through our family life.  For our father and mother, for me and my sisters it was always there to remind us of why we were together.”

Once He Was a Gunner is a journey through one man’s experience of the war in Italy—living with civilians, moments of lucky escape, the fear, the camaraderie, the panacea of alcohol, and the sense of loss on returning home.



Bret Battey’s “Three Breaths in Empty Space” @ Festival Visiones Sonoras, Mexico

A streaming version of MTI²'s Prof. Bret Battey’s “Three Breaths in Empty Space” will be part of Festival Visiones Sonoras, hosted by MTI² partner-institution CMMAS (Centro Mexicano para la Música y las Artes Sonoras), 23-25 September, 2020:

https://visionessonoras.org/



MTI²'s Anna Xambó in "Taking the Temperature: Crisis, Curating, and Musical Diversity"

There will be a launch event at Ultima Festival in Oslo this week Friday, September 11 at 3pm, for the open access book "Taking the Temperature: Crisis, Curating, and Musical Diversity", which features an interview with MTI²'s Anna Xambó, talking about her experiences during her time as a chair of the organisation WoNoMute.

Launch event: https://www.ultima.no/en/events/110920_context_samtale-og-boklansering 

Order or download the book here: https://on-curating.org/book/taking-the-temperature-crisis-curating-and-musical-diversity.html

"We view this current crisis as creating an opening for contemporary music to finally escape its toxic relationship with tradition, quality and a white, European bourgeois aesthetic and embrace the many newly-made musics that exist in this world." (extract from Editorial by Brandon Farnsworth, Anna Jakobsson, Vanessa Massera)



Now out: Organisd Sound issue on 'Time in Electroacoustic Music'

The latest issue of the Cambridge University Press journal Organised Sound is now out, on the theme of 'Time in Electroacoustic Music':

https://www.cambridge.org/core/journals/organised-sound/issue/1370A3BD3D3A0CB1B656F2654D8F5511

The issue is co-edited by MTI²'s Prof. Kevin Dahan, and includes two articles by MTI² members - Kevin Dahan's 'A Temporal Framework for Electroacoustic Music Exploration', and James Andean's 'Rhythm in Acousmatic Music' - as well as an article by an MTI alumnus: Michael Gatt's 'Memory, Expectation and the Temporal Flux of Acousmatic Music'.



New book chapter by MTI²'s Leigh Landy

A new book chapter by MTI²'s Leigh Landy has recently been published:

https://mitpress.mit.edu/books/between-tracks

The chapter, titled 'Hildegard Westerkamp’s Beneath the Forest Floor (1992)', appears in 'Between the Tracks: Musicians on Selected Electronic Music, edited by Miller Puckette and Kerry L. Hagan and released by the MIT Press on August 12th 2020.

"This collection of writings on electronic music goes outside the canon to analyze influential works by under-recognized musicians. The contributors, many of whom are composers and performers themselves, offer their unsung musical heroes the sort of in-depth examinations usually reserved for more well-known composers and works. They analyze music from around the world and across genders, race, nationality, and age, discussing works that range from soundscapes of rushing water and resonating pipes to compositions by algorithm. Subjects include the collaboration of performer and composer, as seen in the work of Anne La Berge, Luciano Berio and Cathy Berberian, and others; the choice by Asian composers Zhang Xiaofu and Unsuk Chin to embrace (or not) Eastern themes and styles; and how technologies used by composers created the sound of the works, as exemplified by Bülent Arel's use of voltage-control components as compositional tools and Charles Dodge's resynthesizing of the human voice."



MTI's Sam Topley among Workshop Prize winners @ NIME2020!

MTI² postgrad and adjunct Sam Topley is one of the winners of the Workshop Prize at the NIME 2020⁣ conference, for their project '10,000 Musical Instruments for a Semi-Connected World':

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This year’s ‘New Interfaces for Musical Expression’ conference was hosted online by the Royal Birmingham Conservatoire.⁣

Topley collaborated with 8 artist/researchers from universities around the U.K. and Europe, to co-author and facilitate a workshop for the conference participants. ⁣The aim was to design and catalogue 10,000 absurd and fictional musical instruments, as a playful and unconventional approach to advancing the debate around the complex, interdisciplinary and multifaceted nature of contemporary musical instruments. ⁣
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Topley's contributions included a “Build Your Own Lockdown Organ” – a handmade musical instrument constructed out of panic-bought toilet roll tubes – and a “Carpet Sample(r)” - a stain resistant and bleach cleanable textile interface, made out of a carpet sample book.
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Dave Holland's 'First Rituals' finalist @ Città di Udine

MTI² alumnus & adjunct Dave Holland was selected as one of the finalists for this year's Città di Udine competition, in the 'Electroacoustic Music' category, for his work 'First Rituals’:

https://www.taukay.it/data1/index.php?option=com_content&view=article&id=921:competition-2020-eng-results